Curriculum vitae個人簡歷

Position職稱

Professor, Department of English, National Central University
Office: Room C2-427, Humanities Building 2
Tel: +886 3 422 7151 ext. 33208

中央大學英美語文學系教授
研究室：文學院二館 C2-427
電話：(03) 422-7151 分機 33208

Education學歷

1988–94: Ph.D., Comparative Literature, New York University
1985–87: M.A., Comparative Literature, University of Toronto
1979–84: B.A., English, McGill University

1988–94: 美國紐約大學比較文學博士
1985–87: 加拿大多倫多大學比較文學碩士
1979–84: 加拿大麥基爾大學英文系學士

Fields專長領域

Comparative literature, art criticism, cultural studies, satire, money culture

前衛藝術、諷刺文學、比較文學、西洋文化、藝術批評、文化研究、金錢文化

Experience經歷

2007–: Professor, English Department, National Central University
1995–2007: Associate Professor, English Department, National Central University
1994–95: Assistant Professor, English Department, National Central University
1994: Instructor, “New York in the ’50s,” Comparative Literature, New York University
1991–94: Research Assistant to Kamau Brathwaite, Comparative Literature, New York University

2007–: 中央大學英美語文學系教授
1995–2007: 中央大學英美語文學系副教授
1994–95: 中央大學英美語文學系助理教授
1994: 美國紐約大學講師
1991–94: 美國紐約大學研究助理

Publications專書論文

2015: “Fuzz-Bombed: Being a Spectator at the Taipei Biennial.” Death and Life of Fiction: Taipei Biennial 2012. Taipei Fine Arts Museum, Spector Books, 98–104.
2014: “Vile Contempt: The Beats and City Lights Bookstore” (Chinese translation). UNITAS, Taipei, No. 356, June 2014.
2011: “Master of Metalepsis: Visage/Face (Tsai Ming Liang) and the Meaning of the Movie.” International Journal of Humanities and Social Sciences, Vol. 1, No. 16, November 2011.
2011: 〈轉喻換義大師《臉》和其電影意義〉，《變/遷/轉/留視域之徑》，書林，2011年11月，頁313。
2010: “It Starts with an Island: An Empty Terrain in the Danshui River, Taipei and Orz Boyz.” Asian Culture and History, Vol. 2, No. 1, January 2010.
2009: 〈水鐘：《你那邊幾點？》的液態憂鬱〉，《觀展看影華文地區視覺文化研究》，書林，2009年12月，頁301。
2008/9: “Clepsydra: The Fluid Melancholy of What Time Is It There.” Asian Cinema, Vol. 19, No. 2, Fall/Winter 2008/9.
2007: “Time English Center.” National Central University Journal of Humanities, Vol. 32, October 2007.
2005: Teaching Inghelish in Taiwan. Bookman Books.
2005: The Pornography of the Emotions. Bookman Books.
2002: “An Excellent Slaughter Is Like an Excellent Meal.” Travelling Concepts II: Meaning, Frame and Metaphor, ASCA Press, University of Amsterdam, March 2002.
1999: “Home and Native Land.” Literary Studies East and West, Vol. 16: Replacing America: Conversations and Contestations, University of Hawaii Press, p. 141, 2000.
1998: “Sage Man” (poem). Canadian Literature, Issue 157, p. 79, Summer 1998.
1996: “Immigrants and Entropy: Don’t Waste Your Energy.” Taiwan National Film Archives, Vol. 14, 1997.
1995: “Vents of Trade.” Journal of the Humanities East/West, National Central University, 139–147, April 1995.
1994: “Paranoia Inc.” Village Voice Literary Supplement, 8–9, June 1994.

Conference papers會議論文

2013: “Cannibals and Spectators.” After Year Zero, Haus der Kulturen der Welt, Berlin, November 25–December 1.
2013: “Fuzz-bombed: What the Taiwanese Got Out of the 2012 Taipei Biennial.” IACS Conference 2013: Beyond the Culture Industry, National University of Singapore, July 3–5.
2013: “Being a Spectator at the Taipei 2012 Biennial.” Except Asia: Agamben’s Work in Transcultural Perspective, National Taiwan Normal University, June 25–27.
2010: “Master of Metalepsy: What Is a Movie.” International Conference on Visuality and Cultural Literacy, National Central University, November 19–20.
2010: “Tsai Ming Liang, Visage.” Visual and Cultural Literacy Conference, National Central University, June 8.
2009: “Orz Boys.” International Conference on Visual and Cultural Literacy, National Central University, December 11–12.
2009: “It Starts with an Island…” 4th Annual Association of Adaptation Studies Conference, British Film Institute, London, September 24–25.
2008: “Meat Packing Academy: The University and the Slaughterhouse.” The Unthinkable: Thinking Beyond the Limits of Culture, Institute of Ethnology, Academia Sinica, Taipei, December.
2007: “Tsai Ming Liang: Agricultural/Industrial Melancholy.” Lecture Series on Humanities Methodology, College of Humanities, National Central University, June 29.
2007: “Clepsydra: The Fluid Melancholy of Tsai Ming Liang’s What Time Is It There.” The Melancholy State, Institute of Women’s Studies, Lancaster University, UK, September.
2007: “The Subjective Moment.” The Future of Ethnographic Practices, Institute of Ethnology, Academia Sinica, National Chi Nan University.
2006: “The Pornography of the Emotions.” Association of Literature on Screen: Inaugural Conference, De Montfort University, Leicester, UK.
2006: “Taiwanese Subjectivity and Tortured Dolls.” (Be)Longing: Art and Identity in an Age of Anxiety, Trinity Western University, Langley, British Columbia.
2005: “Wong Chi Feng and Barbie.” PAW presentation, National Central University.
2004: “Savaging the Wreck: Jonathan Swift and the South Sea Bubble.” Representation and Regulation: 17th Century Economics in the Dutch Republic, University of Amsterdam.
2002: “How to Slaughter Time: The Work of Yang Mao-Lin.” Amsterdam School for Cultural Analysis, University of Amsterdam.
2001: “Behind Every Multi-Culturalist Stands a Terrorist.” New Cultural Formations in an Era of Transnational Globalization, Institute of Ethnology, Academia Sinica, Taipei.
2001: “Bataille, Cronenberg and Murakami: The Meaning of Torture.” Travelling Concepts II: Meaning, Frame and Metaphor, ASCA, University of Amsterdam.
2000: “Plugging in the Machine.” Crossroads in Cultural Studies, Third International Conference, Birmingham, England.
1998: “Out of Asia: Hegel and Asia in America.” Crossroads in Cultural Studies, Second International Conference, Tampere, Finland.
1997: “Yuxweluptun: Aboriginal Satire.” Annual Comparative Literature Conference, Taipei.
1996: “Home and Native Land: The X-Topic Vision.” Multi-Ethnic Literatures Across the Americas and the Pacific (MELUS), Honolulu, Hawaii.
1994: “Vents of Trade.” Group for the Study of Early Modern Culture, Rochester, New York.
1994: “The Hudson’s Bay Company and the Double Mistress.” Strategies of Critique, York University, Toronto.
1993: “Money and Early Modernity: Theorizing the South Sea Bubble.” New York University Comparative Literature Association Conference.

Grants and honors專題研究計畫與獲獎

2008–12: National Central University Humanities Grant, “Visual Literacy: Arts and Film” (four consecutive years)
2007–08: Ministry of Education Grant, “Modern Visual Culture”
2006–07: Ministry of Education Grant, Excellence in Teaching, Undergraduate Program
2005–06: Ministry of Education Mega Grant Award, “Form and Politics of Modern Emotion”
2002–03: National Science Council Award, “Time English Center”
2000–01: National Science Council Award, “East Eats West”
1997–98: National Science Council Grant, “Exotopy: Out of Asia”
1996–97: National Science Council Grant, “Yuxweluptun: Home and Native Land”
1996–97: National Science Council Publication and Research Merit Award
1994–95: National Science Council Publication and Research Merit Award
1994: Best Humanities Dissertation, Comparative Literature Department, New York University
1988–91: Tuition Scholarship